Monday, December 1, 2008

Harpoon


This probably isn't the way I should be thinking about my patients. But I haven't been able to sleep lately, and Animal Planet is the only channel that isn't trying to sell me a food processor at 3 in the morning. I've been watching humpbacks swallow Inuit canoes whole, the Alpine crest of a sperm whale crucified on a mariner's spear. I've seen Algonquin grandsons behead an orca twelve miles off on an Oregon beach, and I have gone to sleep stunned, the blue glow of the cathode sea still watermarked on my skin.

Stitching side wounds or stirring urine samples, I think back on it. Who the hell could blame me: who doesn't look out, now and then, on the solid knot of the field beyond his window and grit his teeth at the nothing that stirs beneath its surface? Feeling for the seed of a tumor, I'm yearning for some Nantucket harpoon head snared beneath the flesh, any evidence of the universe in any of us.

Wednesday, November 5, 2008

Husk

You're dead now, Mary, so I probably don't even have to apologize. But I feel like I should say that I'm sorry for that week before your kids got around to cleaning out your house, that week where, you know, I lived in it. I'm sorry that I had to break in your bedroom window, and I'm sorry that your asshole oldest, Tad, thought that someone had cat burgled his precious inheritance. You really didn't have much to cat burgle, Mary, but I wouldn't have anyway. There wasn't any point.

I tried it all on before I left, anyways: put a new arm into every empty linen sleeve, placed a new and beating heart beneath every piece of pendant costume jewelry you left to tangle in one nigh-on Gordian knot. There was a whole, self-multiplying universe of shoelaces you forgot in a corner of your closet; your kids won't notice that I've laced them through each abandoned eyelet, won't wonder if you didn't swell out of each pair years ago and why they might be warm.

I spent a whole day in your pool. It was February, sure, but I was convinced that every grain of water had once had a home in one of your pores, and I wanted them in mine, too. I don't want you to think that I loved you; I spent entire nights awake in your bed, but not to lure your ghost in with me. It's just that I can feel you in this house that was your envelope, your sarcophagus, your lonely pocket of air under the avalanche. You died, and you left it behind like the husk of an exhausted boa. You would not mind that I took it up--and I am so comfortable in it, your skin.

Art by James Jean.

Saturday, September 13, 2008

Me's.

When I said I wanted a clone army, I really thought they'd all look just like me, except maybe a little thinner and outfitted in hundreds of matching Carmen Sandiego trench coats and heels. Looking back on it, I shouldn't have chosen the one geneticist that seemed a little sentimental, and I should have been suspicious when he asked for baby pictures and locks of hair and exhaustive lists of my hopes and dreams. I assumed that there was some kind of voodoo to genetics. I should have known. 

I mean, my clone army, they're all right. The six year old clone-me wakes me up in the morning and I'm getting fucking awesome at mickey mouse pancakes by now. Fourteen year old clone-me is a little bitch, but if I buy her cigarettes or listen to her talk about the Cure for a while, she usually settles. My eighty year old clone is this docile, fragile bird-person who only wants to sit by the window and mumble about Hegel, so she kind of takes care of herself. We have a big house, and I get a tax break for all the dependents. The 30-40 year olds all have mid-level management jobs, so that's a nice kick-back, and I'm pretty sure the 40-50 year olds will get over their mid-life crises and come back with my hybrid any day now. We have great game nights. I'm not unhappy.

But I can't say it's not a let down. They will never help me storm Serbia or tackle my  childhood enemies at the sound of a dog whistle. We are all goddamn altos, so we will never be able to sing Beach Boys covers and travel the world. To be honest, most of them don't even like me much. On our 22nd birthday, my only legit clone traded all our presents for cash and got reconstructive surgery, a new wardrobe and a $500 dye job. We call her Ingrid now. We argue about who forgot to take the trash out, but otherwise, we have nothing to say to each other. 

Painting by Paul Insect.

Sunday, September 7, 2008

Merit.


The only merit badge I earned before I got kicked out of the girl scouts was the "senses" badge. As if we deserved a prize for being cuter than those little scouts without functioning noses or ears or eyes, for being able to tell which part of our tongues tasted the bitter in balsamic vinaigrette or which quarter had been stuck in the freezer or under the hot tap before we touched it. I could not tie my bunny ears or invert a teddy bear's skin to push in the stuffing, but I was, without a doubt, a card-carrying sentient being. 

So I took it seriously. I put my ear to the floorboards of the science room to hear the rattle of electrons inside their respective atoms, and I squinted, hard, into the off-blue center of the sun to feel that instant of fire before I glanced away, overcome by that moment when sight and touch fuse. And I remembered everything, years after I turned in my cookie sale sheets empty (sub-atomic sensation takes up your time). When I die, I will taste the blood in my mouth and thrill at the widening light over my retinas; when we kiss, I will hear your wisdom teeth descending into the velvet dark of your mouth; and I will smell it, that after-rain tinge that stains every molecule of air, after you've gone, or I've forgotten you.

Photo by Dorthe Alstrup.

Sunday, August 31, 2008

Inches.


I've always stayed a certain distance away from death. Literally, it's been measurable; a scar three centimeters above my retina where the corner of a coffee table would have blinded or likely lobotomized me, six inches of asphalt and broken glass between my bicycle and the hood of a BMW hell-bent on the highway on ramp. I have been millimeters from ugliness and countless hypothetical paralyses, from exploding pyrex on a reddening stove coil and dodgeballs directly to the skull. 

So when I say I know how far away you are, I'm not just measuring those obvious, map-green miles now. I'm thinking handspans across my bed in a pathetic, year-old memory, of steps across a room whose air you took with you when you left. I'm plotting the minefield that might just be everything you say or touch or send me, and I'm waiting for the shrapnel flash,  or else an explosion of woefully avoided light. 

drawing by Mercedes Heinwein

[ps. sorry I have been so absent! working on longer things and helping little kids write their own things sorta took up all my energy for baby fictions. But I am back! Please forgive me!]

Thursday, July 24, 2008

Exquisite Corpse


You don't know that you're in love with me until after the operation. Even then, it takes a while: coming around from the anesthesia, you alternate between calling me a gorilla-woman and a whore, but I know you don't mean it. It isn't until after that scallop-pink skin starts to stretch back over the wound and my kidney starts to settle into your guts that you start to realize it. 

So I ask you to do me a favor. You don't know that I'm holding the knife, but when I hear you say Anything, when I see the way you look at that severed finger, then at me, than back at that finger, I can tell you understand. 

It's your idea to bribe the doctor. It's your idea to trade all of our fingerprints next, then entire hands, until people double-take when they see the mismatched stalks of us growing from our shirt sleeves. By the end of the year, we're brushing each other's teeth in the bathroom mirror, glancing one another's eyelashes over our still-respective cheeks, touching one another in the dark and in the day and always, always. By the time we switch tongues, we don't care that we'll never taste again, that our mouths will probably never root these foreign muscles down and we'll never get to say each other's names. That first kiss is too exquisite to pronounce anyways. We'll carry notebooks or get Stephen Hawking machines, learn how Mimes say I love you.

Photo by Roman Singer.

Sunday, July 20, 2008

Rabbit Holes


The thing is, when I miss you, the walls bend. I'd say it's an acid flashback, and I'd probably be right--at least, you're stirring the same soupy, primordial part of me, dislodging the same sentences from billboards and broadcasting the same shadow behind everything. It's not constant, and it's not even really all that bad. I've had some good times that way, willing the stucco on the ceiling to grow a hundred humming faces, hallucinating your dumb accent over the subway announcer's neutral vowels. But there is a time and a place for this shit. There are three particular songs, and the cold side of the bed, but otherwise, I'm sealing up the rabbit holes, giving up this seventh-grade style recreational longing: drinking, yes, and probably a lot. 


Jeff Koons made a giant puppy out of flowers and I think that is okay.


Friday, July 18, 2008

The Church of


I've never been much on religion. But there's this tribe in Africa whose ritual masks I saw in an art museum once, and I guess once a day they sacrifice a jaguar just so they can absorb its psychic death energies--that is really what the museum plaque said, by the way, "psychic death energies." Isn't that great? 

But where was I going with this. Jaguar sacrifice. I mean, I think there's something to that--not the animal cruelty part, really, or even the sacrifice part, but that reverence for death. The last time I watched a starving man play saxophone for change on the street, I kind of coughed in his general direction and hoped he would translate it into what I meant: I am sorry, I would tell you I had no money if you had asked, but really I do and I'm saving it to take this girl out. I saw my dog die once, too, and I'm still guilty about how little inner turmoil I felt over it. He just sort of yawned, but with his whole body, and eventually his soul just crawled out with the breath and that was that. 

I'm starting my worship tomorrow, in this church of Anonymous-African-Tribe. When I wake up, I'll go straight to the mirror and try to see it: the absent stab wounds and eventual IV scars, nostrils, mouths. I want to think on where my soul will escape, to plot out the places where I will pour out of myself. I want to be teeming with something, and if I'm not, I want to damn well know it. 

Photo is Denis Darzacq again, surprise!

Sunday, July 13, 2008

#4


I saw my apartment in an action movie the other day, right behind a half-naked anorexic assassin and her unwitting protege. And I kind of liked that--the unwitting protege used my ATM, he stooped to tie his shoe on my stoop!--so I started crashing movie sets and impersonating a set dresser. So far, Angelina Jolie has simulated intercourse with Antonio Banderas on my 500-thread-count sheets, at least one of the Olsen Twins has blown-dry their hair with my blow dryer and when Haley Joel Osment found the water-logged photo album that revealed his true paternity in that stump in that one movie, the photo on the second to last page was--wait for it--my sister's fuckin' third birthday party. BAM.

I mean, I've never really had any designs on fame, and I'm about 90% sure that the ozone layer will implode sooner rather that later and fuck whatever half-sentence I've got in the annals of human history. But Mary Kate and Haley Joel and all of them, they're gonna go too, and who do you think the Martians that harvest our half-incinerated celluloid will give a shit about? The squawky little blond getting her throat torn out by a zombie front and center? Or the subliminal message in the dust cloud, the suicidal flying monkey's corpse hanging off the light rig in the background, my toaster oven, bathrobe, and if I get ballsy, my naked blur, a flash so small that there must, there just must be a reason why universe remembered it?

Photo is Denis Darzacq, again


Sunday, June 29, 2008

Well, You Probably Saw This Coming.


Because it is this way anyway, I'm getting the name of everyone I've ever slept with tattooed on my person. If I get the money or get emotional, maybe I'll do full-color momento mori portraits of the ones that were at all important to me, smeared initials in discreet places of the ones that weren't. If things don't get too crowded (at least one person deserves the full length of my back, in neon or some kind of fantastic hologram tattoo technology that hasn't been invented yet), I'll throw in Patrick Whitlow from second grade, maybe that neighbor chick who let me basically molest her in that teepee one time and the cartoon lounge singer from Who Framed Roger Rabbit that confused me so utterly. I have a special section of myself designated for long, milk-carton descriptions of the people I've thought really hard about fucking but didn't: that-guy-who-played-the-bike-messenger-in-that-one-Italian-movie, man-on-the-bus-carrying-a-paper-bag-full-of-amazing-fruit.

I know it's probably enough that I remember them as hard as I do. And yes, jerks, I'm aware that I am incapable of writing about anything but them, that they are the ensemble cast of those subconscious-scraping nightmares I wake up choking on so often and the riot of voices screaming into the loudening pipes that my bones become whenever I'm touched. I know that it's a weak metaphor, and that it's pretty twisted to begin with: my body as the altar that praises right back everyone who's stopped to worship at it. I mean, it's disgusting, really, but what am I supposed to do? My skin is the only part that no one expects to forget, to pull them all into some slow and perpetual undertow of shed and re-grown cells, to lose them forever.

(Photo is from Denis Darzacq's series Hyper, which is, like, stupidly cool and I will probably post most of if it here).

Wednesday, June 25, 2008

Sherry Whose-Last-Name-At-Least-Used-To-Be-Wilson


I know this probably isn't the best use for a time machine. But I've read that one Bradbury story about a dude who steps on a butterfly in the Mesozoic era and fucks up the rest of the universe one too many times, so I'm just gonna do it. I'm going to Battle Creek, to 1983, and visit my sister's mother. 

I should note that she isn't my mother--and really, my sister isn't my sister, and our father is barely her father, so it's all kind of a shit storm. She's Sherry Whose-Last-Name-At-Least-Used-To-Be-Wilson, and she is the background of a christmas card or two and a gigantic head of Farah Fawcett hair and I don't know what else. When my atoms re-materialize on the steps of the Kellogg factory, she is a neon blue double wide, and the steel doorjamb that burns my fingerprints off when I grab on, the silhouette through the seafoam blinds that grows into an open door.

And you know, I wasn't all that far off. Her teddy is as pink and as polyester as I'd pictured it, the hair as tremendous, and the Virgina Slim, is, indeed, one solid bar of burnt carbon. When she (somehow? miraculously?) manages to ash it into a Folgers can using only her mouth, I've decided to just fuck it; when she invites me in for pie, I will not tell her that her daughter will grow up to be a lesbian Chili's waitress, or that there will be a very regrettable picture of her in pleather on her ex-husband's mantle in Ohio for the rest of her life, or anything else she might want to be warned of. I know that if you breathe on a cockroach wrong in the past you're supposed to be responsible for Hitler winning the world war or whatever, but really, nothing changes. The trick is to be forgotten just as much as you were never remembered, to come and go and love nothing in between.

(Photo is by Gregory Colbert, again).

Monday, June 23, 2008

So I Know We've Only Been Trapped In This Elevator For Ten Minutes Now.

But I really feel like it's been longer, long enough to really know you, you know? Long enough, at least, that I feel like I have things to tell you, that it's all right that we're standing close like this because we've done this all the time, for years.

So did you know that there's an organism that can survive for ten years without water, and inside of a black hole, and in the blue part of a flame? Oh, and the other day I heard about this place in Niger called the vanishing coast--and when I say vanished, I mean vanished, as in the fog gets so deep that ocean liners run up on the shore at full speed and thousands of barefoot men with blow torches have to cut them up like watermelon.

Okay, that was the wrong choice of words. How about this--in the thirties, this guy Tesla invented a peace ray that shot atomic clusters of tungsten so fast it could incinerate the Blue Angels in the middle of a dirty loop. Hey, hey, don't cry, I just--I just wanted to tell you things, things I thought you'd like to know.

What else did you expect me to say, anyways? I know this isn't the best of circumstances, but there's no sense ruining your nails like that. Besides, the alarm is going to stop any minute now, and I knew as soon as we stopped moving that it would eventually, and that I only had 264 words, at most, to make you fall in love with me.

(painting is by stina perrson)

Sunday, June 15, 2008

The City Inside

I've been looking for a cure for my solipsism, mostly in Lincoln Park and early shows in the east loop. There really should be a therapist for this shit, at least someone to pummel me with a blunt object until I'm damn sure that they and that object are real. Instead, there is Chicago. 

Its easier than I thought it would be. On the way back from the el stop, the carton of dropped eggs that spangled this morning's sidewalk has miraculously vanished; the bright asterix of fireworks over Wrigley Field appears despite me, the city an enormous footnote beneath it. Back home, I could will anything into being, provided I willed the wrong things. 15 below ice storms that freeze the electricity in the power lines. The airless silence in the basement, the braille the carpet leaves along my cheekbone as I lie there, too.

And now, 600 miles later, there is this sudden world outside of me. There are buildings of insane proportions and mopeds and whole parks full of children whose faces and freckles I could not dream with twenty brains. There are fantastic chemical sunsets, and for all of it, I can't help but miss my mind control, or whatever organ in me can shape a reason for how ludicrous and delusional and lonely I am, the blueprint of this stupid city inside me. 

Wednesday, June 11, 2008

Tact


I usually give my change to the amputee at the Division L stop, but lately, I've been thinking about switching allegiances. It's not as easy as swapping presidential candidates or taking a new lover; there are things to be considered, options to be weighed. My amputee is north of 75, 80 years old, and has exactly one tooth, gold-plated, which earns me empathic glances from women in skirts. This other amputee, that's a whole other ball of wax.

First: you wouldn't know she even was one if your sightline got bisected by a low fountain or a stooped newspaper vendor. From the waist up, she's Audrey Hepburn back from the dead, twenty years older but still as bird-boned and wide-eyed as ever. Really, it's other wordly. I can't imagine her in the homeless shelter, layering makeup along her jawline and neck while sixty men in salvation army pants bang down the bathroom door. Can't picture it, because she never really moves-- she just stares out with this perfect coil of smile painted on, a cup and a bouquet full of swiftly waning roses pointed out at us in specific, motionless angles. 

No one ever drops her change. So really, we need each other, more than the Division guy needs me, more than I have ever needed a woman in my life. Here is something I can picture: my hands on the ribbed leather of her wheelchair handles, pushing her out to crowded vein of that street, she watching no one, no one watching me.

(Painting is Stephane Tartaline.)

Thursday, June 5, 2008

#2


I've been thinking on bones, on the moving landforms of my teeth drifting in my mouth, the hole in the pillow exact as a fingerprint where I've bit. I'm thinking on each of my counted and recounted scars and the slow haul of cells that planted the six of them kiss-red on the pale of me. I am thinking because this is not what an animal would do: would not worry the loosed eyelashes and wish them away, willing the fabric of time to unfurl in three unknowable satin directions. This body will say one thing only--now, now--until I make it otherwise, until I scream into the inside of my own mouth that I am, and will, and have been screaming.

(drawing is by Sidney Pink)

Tuesday, May 27, 2008

Dear Cleveland, Or Whom It May Concern.


I'm furious with Ohio, furious the way you are with a child who's left the freezer open all night or with a politician who's turned some incalculably magical and vital and bunny-populated forest into a Giant Eagle or a Ross. I'm livid that every stranger in the grocery store has been transformed into a Diane Arbus photograph subject, everyone just an arrangement of congenital birth defects hauling  shopping carts of store-brand mariana; I'm angry, too, at the ghosts of beautiful men on bicycles, these perfect husbands that dog my periphery until their mermaid-tattooed counterparts rear up and replace them. I want to burn down the Church, and That One Bar in Westlake Where I Saw Red Krayola Once, and every other basement where I nodded and heel-stomped my way through my gorgeous, gorgeous youth. It is her fault that I have no syntax diversity, her fault that I romanticize the dismantled roller coasters on 43 and certain unfortunate brands of beer and, you know, that guy and that guy and that other, even more unfortunate guy. And I will keep doing this, keep writing these verby, accusatory sentences and dreading the space between nightmare and waking when I think of her, forever awkward and broke and disappearing her, until I am sure that she was just a trick of the sub-cortex, that she was never that great or never there  to start.

painting by alex cherry.

Tuesday, May 20, 2008

What I Did With My Summer Vacation

So I've been practicing being dead. Mostly, I do it during my shifts at McDonalds, when the people in the drive-through have started to blend into one continuous smear of  salmon-colored midwesterner. I scrape grease off the underside of the fry vat, and I turn off all my thoughts like I'm initiating the landing sequence for a goddamned 747, one brain-zone at a time. I do it, too, when my mother's commandeered the TV to watch that show with the ballroom dancers--you know, the one where the women are pretty much naked besides a couple sequins and those weird Lolita wigs with all the perfectly cylindrical curls. That One Chilean Fighter Pilot's mystic-tanned abs are my gleaming, undulating tunnel of light; I am in a huge, scrumptious oblivion as the clock hand whirls through their time slot, in my own, separate 0-4 time as their drum machine sends them foxtrotting into hell. 

I'm pretty much over spiritual revelations, which I've had about once a week since I turned fourteen. I'm done with LSD, and movies with less than six explosions per hour, and opera and ashrams and all that shit. I need to rehearse for nothingness, for my soul's eventual implosion. I've gotten too good at being myself. 


painting is by lawrence yang.

Whoa news! Not a story! Sorry!



So a bunch of these shorts that I vaguely assimilated into a short story thing got picked as a finalist in Diagram Magazine's Innovative Fiction Contest, judged by Kelly Link (who has a killer website with a dinosaur, and who I know very little else about), which might get me, like, you know, money and stuff. And I am definitely gonna be published in their next issue (e-issue?) and will get some shorts with the following monogrammed (deliciously) on the ass:


I submit to literally one contest a year if I feel like it, and this was my contest this year, so I'm pretty much totally amped on myself right now and my amazing writing contest batting record. Also, "How I'll Meet My Wife" is going to be on sixsentences.blogspot.com on may 30th, which gets me no money or shorts, but will hopefully garner me some measure of eternal fame. Also, it's a swell blog that I read often, and I thought I'd share. 

Onwards to non-self promoting/self congratulatory story time!

Monday, May 19, 2008

Reggie.


Since I've seen him last, they have removed all of his teeth. It was stomach cancer, so you'd think this kind of thing wouldn't happen--couldn't they just aim the cancer ray gun a little lower?--but it did, the radiation rippled through the reflecting pool of his body and turned him jackolantern. 

I am young, and colossally dumb, and I have done things like sat in church and prayed for a terminal disease: something to brighten the colors, coax out some gleaming eternal truth. I had wanted something to place a foot in front of the model train of my tiny, coursing life; I had not seen his breathless saxophone, or the cup that holds his new teeth, swimming carbon and bone. I do not know pain, know only slightly the feel of my tongue shifting in a mouth that is not my own, this jaw a bowl full of nothing.


drawing by Emily Jo Cureton.

Sunday, May 11, 2008

A Humble Suggestion.


Let's play that game where we pretend it's the end of the universe. First, we'll be astronauts--I mean, this is the prototype apocalypse, no one's going for the Pulitzer here--and we have to slam our impossibly clean, white, American rocket into the heart of some amazingly badass ice comet that's hurtling directly towards the President's face. When the science of that seems shaky, we'll just go whole hog and invent an evil genius or two, place said evil genius(es) in an evil mountaintop lair and grab our nuclear harpoon guns for our race across the nation to stop him (her, them). We'll be super-computer-wielding underdogs who manage to quash the second (first?) coming of Y2k through the goddamned internet--don't worry, there will a completely inexplicable 3-D hologram fight scene in the middle, and it will be totally epic. We'll gas zombies, and stop missiles with telepathy alone, and unzip the double helix of a race of murderous super-evolved man-monsters (it will involve lasers). We'll save the world from an airborne AIDS strand, and be fed grapes and fantastic drugs by acres (I mean ACRES) of naked French women for our trouble. Or else, we will sit on my living room floor and hold hands; or in reality, I will sit here on this floor alone and dream all this, because what else is there to do when you are not in love? 


photo is by Dennis Darzacq

Sunday, May 4, 2008

Sleep.

The thing is, we only slept. We didn't fuck or talk or prophesy any future fucking or talking: we turned the music off and yanked the lamp cord down and lay, our bodies two commas curled next to eachother against my sheets.

A typographical error, and I knew it: I could hear the whispers outside my room, all the air exiting the hall in one long swallow when I closed the door. And you know, I'm not that anxious to correct them. I will let the world think we are in love, that there is something alive and moving and happening in here. I won't let them see it: the accident of my body, next to and under and spilled around his body, like something shot us dead here in our tracks and we fell into these shapes, shapes wheere we might belong exactly.

Monday, April 28, 2008

On Starving


Like I've hung a stuck halo around everything: the edges of me shimmering into the bedspread, the shard of lawn under the window blind turned to one fantastic green smile. It isn't just that. It's what the sea's become, the smell so sharp in my lungs I'd swear it had a body, and hands, and all the air in me clutched in them. It's the house burning down the street and the alarms searing the air, a sound that is in me now, or a scar of it.

I wish there were a way to say it that isn't in terms of God, but there isn't. Each day is a resurrection now: waking, I drift this thought of you across my empty room, a seeking quartz summoning the world back. I wake up hungry, but I am sure that there's a gill in me somewhere that will feed me on all this, if I let it only stream in like water.

Friday, April 25, 2008

Minotaur.


Last year for Halloween, you went as the minotaur. You pulled your Bulls cap low over your eyes and went to drink blood and sands alone in the basement, the ceiling pipes a web of loud heat above you. I stood at the top of the stairs in my Catherine the Great costume; I'd gotten lazy, and glued a stuffed horse to the crotch of my prom dress, thrown a sack of flour over my hair.

Needless to say, it didn't seem that funny anymore; not the pocket full of My-Little-Ponies with Barbie heads wedged on that I'd shoved into my purse, not this smear of you which somehow had a voice which somehow yelled up that you weren't coming to the party. I could have thrown the thread of my own voice down to find you, but I knew I'd be mixing metaphors, or at the very least giving you too much. I have given you everything I am already: a silhouette framed in hall light, a gap of shadow that loves you completely. And you have everything you need down there: those stairs, that bull's heart, everything you need to climb up here and fill me in.


Drawing is Gustave Dore's from the Inferno plates.

Wednesday, April 23, 2008

Intervention.


When you are twenty two everyone you know will finally stop shitting you: they will admit that they are all mind readers, and your whole life has been planned out in secret meetings, a record of your innermost thoughts tacked to the wall of their lair like an illuminated map of bombing targets. It sounds sinister at first, but they remind you that they all went through it too--the awkward intervention ceremony with the floury store-bought cake, all the shame when they found out that their parents knew what they did during all those hours alone in the basement.

They went through it, and now, that doctor administering the anesthesia, he'll help you be like them. You know that girl, Amy? Listen to her tomorrow night, while you lean against the drum of her stomach and pretend you're dreaming. The first time's tough, so listen hard. The words she whispers into your hair, her fingertips' soft calligraphy: they are not a language you can speak anymore. If you pay attention, her thoughts will be a split fortune cookie in the palm of your mind. She will give you permission to do it, to break her heart.


Photo is by Sam Taylor Wood.

Sunday, April 20, 2008

Effigy.

There is a picture I keep of you over the door and in my head too, where your hand is the shadow of an overhead bird falling over your eyes, your eyes tense with a pain that made your nerves fray and spark like wires, a pain I watched you in, that you called out of to say Don't touch me, touching hurts right now. There is also an empty shirt over the door knob and a book which contains the sentence

Will you believe me when I tell you there was kindness in his heart? If I opened up your head and ran a hot soldering iron around in your brain, I might turn you into someone like that.

--but mostly, there is this picture, and the gloss over it which attracts the sun, and the sun which comes through the window at dawn and erases you daily. At least, it erases this picture, this unburned effigy of you, which is you to me, at least.


photo is gregory colbert

Thursday, April 17, 2008

In Case You Ever Wondered Why I'm So Tired In the Morning


I have this thing I do, sometimes, when you're asleep. I take a magnifying glass to the skin along the inside of your wrist, press my face close enough until the thread of blood there blooms into a thick and writhing organism. I stare into the vortex of each pore until I'm pretty sure that there's no solid color in the universe, that you're a horrible, ugly, porous boy who's ruined Newton and great art and all of that forever. When you wake up, I am careful to balance my forehead an atom away from yours, to hold my breath until your eyes open and become one eye, until that eye becomes one black, swimming thing.

And honestly, I am sorry: that you are so beautiful and cool, that I need some antidote to you. When you speak, I want to able to hear the thrush of kept air escaping along with it, stale and ancient, my name.


(ps painting by Ian Francis)

Tuesday, April 15, 2008

How I'll meet my wife.


I don't think a roofie will quite do it. I need to slip you one of those Alice in Wonderland pills, cage you against the bar in my closed fist. I'll whisper to you on the taxi ride home, carry you across the threshold like it's our goddamned wedding night, slipped into my shirt pocket like a love letter. In the morning, you won't be ashamed or call the cops. You'll remember your body in the throat of a linen flower, my heartbeat like the inside of a sonic boom. You couldn't help but love me then.

Thursday, March 27, 2008

Tut's tomb.


I like to think this is my gift to the archaeologists of the future. They will start with a pick ax at the corner of my ceiling, cracking my bedroom open like a square egg, and where they think they'll find a few feet of stale air, there will be the solid sound--puh--followed by a swatch of He-Man sheets. They will peel it off and catalogue it in some immense, well-drawered room, and then they will continue down, past wide stratums of newsprint and old pet bones and my first bike, this whole delicious layer cake of my life.

You say I'm being compulsive again: but really, have you ever sat at the nucleus of your own stratosphere? Thought about where your bones would end up, if anyone would love them the way those archaeologists will love me? With their hands, with those little silver trowels? Yeah, that's what I thought, Mom.

Friday, February 29, 2008

Do Us Part.


And then he came back. When she answered the door, her skin was still so tight from crying that her face felt too small for her head; she hadn't been out of bed in a week, and she had thought that the knock would be another fucking pound cake from some family member who had been out of town for calling hours. But it was him. The elbows on his suitjacket were down to the threads, and you could see little windows of bone along his forehead and knuckles and upper lip. But still, he was there.

At first, she didn't really question it. They made pizza rolls, sat on the loveseat and watched that Ninja Warrior show he'd always liked. After about an hour, she asked him how he'd been, and he sort of laughed--there was a gap in the trachea, so the sound was something between a wheeze and a german consonant--and started looking around for a notepad. Enough about me, babe, let's talk about you.

Every morning, she made his coffee like she used to (Maxwell brand slow roasted, honey instead of sugar) and he packed his briefcase and snuck out the back door, then under the gap in the fence. She wasn't quite sure where he went; his old boss sent her a condolences card with a lecherous post script, so she knew he wasn't going back to the plant. She clandestinely checked the corners of his mouth for blood when he came home, but there was never anything beyond a crescent of dirt under each of his fingernails, a missing shoe now and then.

Besides this, nothing was all that different. At night, he curled next to her her the way he always had, his arms twisted around her torso like some kind of human Möbius strip. He still refused to talk about kids, but when Drew Barrymore came onscreen during ET, he went kind of soft in the eyes. All in all, they were as happy as they'd ever been, maybe more. Instead of going to Louie's with his brother every friday, he stayed in with her and played Scrabble with all the E's taken out.

But after a few weeks, something was different. The wound along his ribs began to creep apart like a spreading stain, the mortician's stitches splitting and fraying as the hole reopened bloodlessly. He tried to shower, and immediately they realized that it had been a mistake; the embalming fluid stained the tub green, and he started to look a little like Kitty Carlisle after a bad night. She told him it was okay, that she didn't care, and she held her breath defiantly when she kissed him despite the smell. She slid him a note between the candlesticks on the dinner table: I love you no matter what. You were gone, and now you're here, and of course I wouldn't expect you to come back the same as you left.

He wrote her back a few days later, on a post-it which he left on the kitchen door above a pair of muddy footprints and a chunk of hair on the linoleum. I'm sorry, it said. But let's not shit ourselves here. Please, for your own sake, don't forgive me.



(zombie spiderman from http://www.marvel.com/news/comicstories.647).

Sunday, February 24, 2008

#1 (Gonna start numbering one's I'm too lazy to title, tough!)


Sometimes, I like to think about Immanuel Kant going to the doctor's office, of the sweat in tiny stars along his giant forehead as the doctor presses a stethoscope to the pale swell of his chest. My fantasies about Pascal are slightly sexier; he is usually eating an enormous grapefruit in his underwear, usually around four in the morning, while his valet is still asleep. David Hume is obviously walking next to a lake, but I mostly imagine the moment when he stops thinking about The Treatise on Human Nature and realizes he has to piss. In my head, he has very delicate hands, and hooks two fingers around his belt buckle and thinks on it hard.

I don't allow myself to think about Kierkegaard much, because when I do he's usually naked and that's just so damn obvious. When I think about Montaigne, I just get ridiculous; I imagine the two of us under his fleur-de-lis patterned canopy bed, daring eachother to hold our breath until we black out, whispering to eachother when we come to: What did you see? I saw a lot of colors, and Macchu Picchu I think.

Friday, February 22, 2008

Mantua.

Note #1: I started this at ARTSweek when I was eighteen years old and literally finished it this morning. It might be a little schizophrenic/way outside my current subject matter.

Note #2: It's pronounced Man-away, for the un-ohio initiated.

Note #3: Oh yeah, this one's long.


She had locked the whole house from the inside, snatched the spare key from under the mosquito coil on the back porch and released Bob Barker, her 80 year-old parrot, in the middle of the kitchen. Gary groped ass-up underneath the neighbors' hedges for an hour before he found the garden shears. Stabbing his way through the screen door, he almost wished he hadn’t found them at all: Bob Barker had picked up Carlotta’s nicknames for him over the years, and now the parrot was calling him a dickslap through the wire.

When he finally hacked his way into the house, the bird was squawking about Gary’s impotency and circling the lazy Susan. The contents of the spice rack were thrown into the bottom of a box along with the cutlery drawer and a sweating package of lunchmeat. Gary was silent as he nudged his way past the ransacked pantry and eased open the refrigerator. A bottle of mustard and three restaurant mints were the only survivors, shoved into the shadowed corner of the produce door. He thought of Carlotta, sitting in her locked bathroom aggressively filing her nails like a sniper swabbing her gun barrels. The mints were out: she would hear the wrapper crackling from a mile away.

Tiptoeing as best he could in CAT boots, Gary slid a chair back from the kitchen table and sat opposite Bob Barker. For a moment, the parrot simply cocked his blue head and stared Gary down, perched regally on the ceramic basset hound that served as a centerpiece. The bird’s solid black eyes were glossy and unblinking, daring him to defend himself. A long silence, and Gary reached cautiously for the stray dish of Gummi Bears Carlotta must have missed, set, cruelly, next to Bob Barker’s scaly right talon.

“Limp dick.”

It took him a moment to realize that the parrot hadn’t spoken. It imitated Carlotta’s voice so note for note that it was only when he registered the sound of bamboo mules on the linoleum that he realized she was there at all. The chair legs, he thought, but when he asked her how she had known he was there, she replied, “The whole goddamn city of Ashtabula can hear your stomach growling.” Then muttered: “Inconsiderate fuck.”

She ambled into his line of vision, her hands gripped hard against her hips and her hooked arms forming windows around two refrigerator magnets shaped like California raisins. “Would you like something to eat, honey?” she said, and gave a ringmaster’s swoop of the arms. “Let me show you our buffet. Let’s see here, we have a lovely selection of international spices…here’s some…canola oil…oh!” She flung open the refrigerator door. “Big spender’s upgraded from store brand mustard! Throw some garlic on this, we could feed a family of four.”

Gary kept his eyes on the plastic fish beaded around her ankle. “How’s moving out going, Car.”

Carlotta’s mouth clapped shut like an oyster shell. Bob Barker flailed his wings slightly and squawked “Nancy boy” on her behalf.

Gary sighed and rolled his head forward against his chest. He had spent the past nine hours flagging in red eyes on the Delta concourse, and his teeth were still grinding from the Mini-Thins. On the other side of his closed eyelids, Carlotta was stalking the room, and now the thump of her shoes was escalating into a cacophony of slammed silverware, scattering clove sprigs, her cherished Bahama wind chimes being ripped down. It had become an almost comfortingly familiar sound over the six months since Carlotta had started the process of leaving him, comforting in that it never ended her with leaving. Sometimes, she would go silent and stroke Bob Barker like an Egyptian queen while he begged her to stay. Sometimes, she would make love to him in the wreckage of her again unpacked boxes, rolling off the war casualty of a crushed Hummel figurine when they were done to tell him he disgusted her. But by the volume of crashing gravy boats, scattered beans and plywood cabinets being obliterated by a bamboo toe, he knew that wouldn’t happen tonight. It was the first time her rampage was loud enough to silence even Bob Barker. It was the first time he had ever mentioned her leaving without the words “don’t go.”

When he opened his eyes, Carlotta was already staring at him, the second of two mustard jars aimed squarely at his Adam’s apple. Gary shoved his chair back a foot.

“Lotta baby, it was just a question!”

Carlotta lowered the jar and gave him a “well isn’t that some shit” purse of the lips. “A question,” she said. “You can’t even feed us, you apparently killed a man with a pair of garden shears and now you try to kick me out of my own goddamn house when I clearly have no intention of leaving?”

As she spoke, she twisted the cap off the mustard and plunged four fingers in, slurped them clean. Her teeth still dripping orange, she oozed out the words: “We’ll I’m not leaving, Gary. You have an obligation to me now. You have an obligation to feed me more than goddamn mustard from now on.”

*******************

She bought the parrot from an estate sale out in Shaker Heights, the week after her one and only bonus from the DMV. It was an electrical fire; one of the old moneys had thought to make Sanka during a lightning storm, and had plugged the percolator in just as a power surge leapt through the wires. Janet MacAllister-Black had probably never imagined her picture appearing in the Star—or at least, not a picture of herself as a charred ink smear under the caption OLD WOMAN SPONTANEOUSLY COMBUSTS!!! CONSPIRACY??? She had probably never imagined her restored Victorian would be auctioned off to a strip mall developer instead of the Western Reserve Historical Society; she had certainly never envisioned her family bibles, her vibrating torso trimmer and one fifteenth of her exotic bird collection being sold to a woman like Carlotta.

For weeks, Carlotta spent every night in the middle of the living room gold-leafing a wire cage she had found at a consignment shop. “This bird has dignity,” she had told Gary when she first unbuckled the hole-studded air purifier box that contained Bob Barker from the passenger’s seat of her Dodge Omni. “I won’t say that’s the only thing we’re lacking around here, but it’s sure as hell one thing.”

She worked on the cage after dinner in front Nick at Nite, the room dark and her hands blue from the glow of the TV. Bob Barker watched from the corner—or, not exactly watched, but rather, shat uncontrollably and knocked his head against the yellow tarp that Carlotta had used to roof one of her niece’s playpens. He didn’t talk for the first three days, but when he did, it was to quote something neither Carlotta nor Gary could identify; a panicked rendition of W.H. Auden’s In Memory of W.B. Yeats.

Gary tried to like the bird. His arrival had signaled Carlotta’s first unexplained return after her first dramatically announced departure—a shouting match over her purchase of an aboveground pool (“It’s just a basic mod con, Gary. Do I not deserve the basic mod cons?!”) and a deafening exit, burned rubber and the bass turned up on a Tina Turner cassette. She hadn’t explained why she had come back or where she had gone, though Gary could picture her losing the cash she’d crammed into her gold lamé fanny pack in a Detroit casino and being ejected from a five star hotel she could never afford. She had spent most of her money and stolen almost a fourth of his yearly salary that week alone. He imagined her teased strawberry head bent over a craps table, her lime green nails fanning out towards the arc of the falling dice. It made his jaw tighten and a small vein along his temple tremble in a way that he was sure portended a stroke.

Still, after the first few days she was gone, the house got too quiet. Besides the TV, which he kept on all day, there was only the lonely clatter when he tripped on one of her potted cactuses, or fitness videos, or stuffed animals, or whatever else. It made something shift in his stomach that he couldn’t think about or name. The truth was, he didn’t know how to miss her, and when she came back, the feeling rushed out into his capillaries and stayed, a dull churning at the extremities of him.

She probably wanted him to plead with her, but Gary couldn’t bring himself to say much more than four words to Carlotta: Lean cuisine tonight okay? It was as if, when she left, she had planted an elaborate map of mines around the house, and any stray word or interrupted silence would turn the place inside out. Normally, he slept through the morning and afternoon in preparation for the night shift, but when she started to train Bob Barker to say proverbs, he found himself laying awake listening to the theatrical crescendos of her voice arcing through the wall. She still slept in his bed, but only when he was not in it; when he slid in at 6 in the morning, she neatly exited to the kitchen, where she began making her morning omelet and belting out Paradise City, or Whitney Houston’s Exhale, or one of her other favorites.

After a while, Gary began finding specks of gold leaf crushed into the welcome mat, sprinkled on the shoulders of his work jumpsuit like dandruff, floating along the swirl of pet milk in his coffee. Bob Barker had taken residence in his cage, but hadn’t taken to it; dull steel showed through in the places where the parrot had skinned them of their coating and the artificial flowers festooning the base were now covered in a thick layer of crap and bird spit. With the cage completed, Carlotta began her hesitant return to their shared bedroom and dinner table. At first, she ate the most efficient meals she could put together; dry Lucky Charms, Slimfast bars, raw baloney. When she finally worked her way up to microwave linguine, Gary risked talking to her.

“Goin’ to work tomorrow?” he said.

“The least you could have done was marry me in a church,” she said.

It was around this time that Bob Barker began to forget the “but-seek-first-His-kingdom-and-His-righteousness-and-all-these-things-will-be-given-to-you-as-well”s that Carlotta had so painstakingly taught him, favoring instead Carlotta’s own colorful vocabulary. She left again on the fourth of July, 1997; again, Christmas of the same year; an unspecific day, 1998, after Gary informed her that he was trying to sleep, and could she stop yelling along with the televangelist about the glorious splendor of God’s heaven.

He learned how to recognize the moments before she left, like an arthritic man feels the rain pulling at his hip joint or a Cherokee hears the tremors of a pissed-off bison stampede. As Carlotta flung the mustard jar against the table top, he could almost smell her leaving; the Sally’s Beauty brand mouse melting into the sweat along her hairline, the metallic twinge on her breath of someone who’s just sprinted a mile and is ready to spit blood. He had learned to expect the clumsy knocking of her walking too fast in heels, the suitcases as they slid off the top shelf of the hall closet and dented the floor, and her final words to him, normally along the lines of “where in hell is my damn beaver coat?” Next, she would wipe out the statues on the mantle with one swinging arm, then nudge the overpacked suitcase towards the door with both hands and both knees.

Each time, somehow, it got easier. He even had a routine. He would move to the basement stairwell where he could sit and watch, maybe counter an epithet with a “don’t say that,” though maybe not. He would wait until her taillights shrunk and finally dimmed into the darkness at the end of the road, and then he would walk down the stairs, put 40 lbs on each end of the barbell and lift and lift, until he couldn’t remember marking time any other way.

But always, 200 reps in or so, he would hear her voice. It would be a sweet thing, more musical than he was used to: Honeypie or Lovebird. Every time, there was a prick along his spine as he sat up a little, listening to Bob Barker sing out the nicknames that Carlotta had made up not for Gary, but for the parrot: their own odd breed of lovers’ Marco Polo. He’d like to say he knew it wasn’t her every time; he’d like to say that maybe these moments were why she always seemed to forget the parrot, though he knew it was more likely that she was in too much of a hurry to get out. He would wait, and watch the bird waft down the stairs and land on the end of the weight stand like a fluorescent blue specter of death. Then he would start lifting again, until his arms fell back limp, until the calluses on the heels of his hands buzzed with pain.

He was ready for it, for her to change her mind—his hands twitched into a fist, his fingernails searching for his palms. Carlotta stomped past him, futilely kicking at the loose doorframe as she rounded the corner out of the room. But the sounds that usually followed this—an inhumanly loud yowl, the shaking echo of the screen door jangling closed—these sounds did not come. Instead, he heard a set of slow, shifting feet, then the click of the upstairs TV dial as the volume swelled to an unmistakable 10. It was loud enough that Gary could distinctly hear Marie Osmond detailing the quality of a doll’s hand-made undergarments on the Home Shopping Network. It was not loud enough that he could not hear the sudden, bright gasps of Carlotta’s breath, the half-swallowed yelps of her crying. Her words were carved into the air she'd put between, a distinct and cursive void: I clearly have no intention of leaving.

Bob Barker hadn’t moved. One glassy black eye was set into his profile like a button ready to be pressed, and as he looked at Gary, it betrayed no secret thoughts. Gary slowly dragged his hand through the pile of uncooked rice she had thrown on the table, listening to the sound it made. There was a pulse of wind as the bird beat its wings and a few of the grains shivered off the tabletop. Other than that, there were all the same sounds, the kind of sounds that amount ultimately to white noise, the kind of white noise that turns to silence, the kind of silence that can kill a man if he’s not careful, if he doesn’t speak.

“If you come back,” he said. “Tell her I’m sorry. If you come back, tell her I knew about the baby, I saw the test in the trash, and that there’s $700 in a box in the crawlspace but that’s all I’ve got. I’m gonna stay until you come back, I want to, but if you can’t stay gone, I figure I’ve got to start believing in signs.” He paused, eased the window open. “But think about staying gone.”

Tuesday, February 19, 2008

Our Words Were Told, Our Songs Were Sung

We were pretty much knotted together in the womb, but my twin sister and I have never had the same dreams. Hers are like acid trips or hyper-real arthouse films, and usually at the end of them she watches herself die some blissful, technicolor death, or else crawls up through a hole in into her own bed and watches herself wake before waking acutally. I have dreams about ordinary things. Really ordinary things: last night, my friends and I had lunch at Arby's and talked about the election.

You'd think there'd be some communal wavelength between our brain patterns, like in those pop neuroscience articles or on the Disney Channel. Our fucking freckles match--you'd think I'd have at least a dose of whatever psychotropic fluid she managed to absorb there in the womb. But it has always been this way. She always had to take the bottom bunk growing up because she would sob in her sleep, would twist herself up in her Green Lantern sheets and writhe out of bed because she'd dreamed she was trapped in a cocoon of lava at the center of the goddamned earth. Meanwhile, I wake up every morning and wash my hair, after just dreaming of washing my hair, in perfect soundless black and white. Is it so weird of me that I envy her: that I think of sleep as a narrowing tunnel, and sometimes I wish there were something bright and shifting at the end of it, something terrifying, to give me pause?

Hey dudes, I wrote a one-sentence story and can't think of a title for it.

I have to admit--the night after you broke my heart, I lay awake chewing my lip and waiting for the numbers on my clock to fold into 12:00, waiting for you to run into my room and throw a handful of confetti up into the dark and yell "opposite day!", dive into my bed like a still and patient ocean.

Sunday, February 17, 2008

A Reunion.

I put an ad on Craigslist once to find someone to spend Thanksgiving with me. I asked for overbearing women around age fifty, younger if theatrical makeup was employed. The pay was nothing, but I said I'd furnish her with an appropriately heinous lamé patterened sweater and all the pots in the kitchen she had use for.

Fathers had a height requirement. I said I preferred beards but since I've always been a daddy's girl, I forgave the applicants that emailed me photos of themselves with handlebar moustaches, or the fourteen year olds that stood there in cartoon ties, whose cheeks were so smooth they clearly hadn't gone through puberty yet.

We needed at least two sisters, and I wanted them to be sisters in real life, but I would cast anyone provided that there was sufficient dramatic tension between them over a shared ex-boyfriend or something to that effect. "During dinner," I wrote, "one of you can even throw a glass of wine in my face and storm off to buy cigarettes. After we've forgiven eachother, we'll hug eachother on the couch and watch Romy and Michelle's."

I didn't want any brothers, but I got a pleading letter from a man who had only been out of the shelter for a month, so I hired him and one of the smaller blond sister-applicants to play his new wife.

I avoided boyfriend applicants for myself to minimize the perverts, though I wanted one desperately. And even though no one wanted to be my grandfather, (I have to say I took this personally), the family photo turned out great; I put the dog in the empty chair, in a tie, and when the automatic flash blinked on, even he smiled.

And while not everyone stayed the whole time, and we had to prop up a stuffed cat in our mother's chair to stand in when she ran out crying and called us all whores--even so, I will never regret this. For at least a moment, we sat down together, and said the world "grace" out loud and were none of us ashamed.

Saturday, February 16, 2008

Evidence.

For a long time she thought of death in the singular, as one huge black wall she knew she would run into as soon as she made it to the other side of this room. On superstitious days, the wall was actually a curtain, a dark looking glass cloaking paradise; when she was bitter and thought she'd gotten a bad shake out of the first 20 years of life, it was a revolving door. 90% of the time, it was just a wall, and when she finally reached it there would be an impact, and for a moment her head would ring with unfamiliar voices from the blow. And then it would stop that.

But then she starts considering the evidence. Then she starts reading Hume and drinking whiskey with dinner, and she knows she has no way to prove any of it. If science can say that every year the earth tilts so many inches sunward, that it has always been this way-- if she has been alive for so many thousands of hours, and it has always been this way, then who are they to say? If she has never forgotten anyone she has ever loved, if this certain chord can induce time travel, cast her back five years in memory, who are they to say that anything has ended?

Thursday, February 14, 2008

The Upper Airs.

Every time I stop believing in God, I start thinking about planes. Not the planes themselves--I think about the windows, about being in the mouth of a cloud, staring into solid white. They're not so different, God and this place; they are the only things I can think of that dissolve even the idea of space, that have no walls, that contain nothing. Nothing, not even I can interrupt it by moving, signalling time. If I yelled your name out to either, my voice would never come back to me; it would shatter, or else be swallowed.

In this place, in this plane, in my thoughts of God, I know, if nothing else, that I am displaced. At best, I am only visiting. If I were to breathe even a sip of what's out there, I would drown. If I stabbed my way through this window, stopped this small heart, I would be gone, inhaled like pale smoke.

Wednesday, February 13, 2008

Five Secrets and Two Lies I Have to Tell About Love.

1. When I was seven, a girl named Joey at my all-girls elementary school convinced the class that her peter pan haircut wasn't her mother's idea of a cruel joke, and that she wouldn't change in the same room as us in gym class because she was actually a boy and the all-boy's school hadn't had room for her. I, of course, wrote her a love letter. Even now, when I see her at the mall selling Armani in a miniskirt, I am convinced that this explains everything.

2. You broke my heart three days ago. I haven't eaten since. Whiskey, yes; half a pear once, but I felt like I was cheating myself of something.

3. I know that my sister is gay. She grew up on the other side of Lake Erie and I've only seen her maybe fifteen times in my entire life, but I can still feel things like this, in the thrum of our shared blood. She makes loud, pointed references to future children and husbands at family weddings, but I saw the way she looked at her Chinese roommate that time I visited her at college, and I had this itch in my palm that I didn't understand, that I know now was because I wanted to touch her somewhere I wouldn't be allowed to, her face, her wrist.

4. When I lost my virginity, we were watching White Men Can't Jump on the paisley couch in your parent's basement. It occurs to me now that I should be more careful about these things.

5. When you told me that you've always wanted to kiss someone all the way up a spiral staircase, I thought you were stupid.

6. I always say that it never gets easier, losing faith in you or whatever version of you is around at the moment. I am lying when I say this. It gets so much easier, and afterwards, I love worse every time.

7. When people I know vaguely die tragic deaths, and I tell people about it, I usually say they were my friends. I don't feel so guilty about this; I like to think that you're okay with the fact that I never really liked you until a semi bent your Corolla into an inarticulate U, that you're happy to have me around now.

Monday, February 11, 2008

A Valentine.

I say, close your eyes and think about all the pain you have ever felt in your life. I don't mean papercut pain or tongue burn pain, but the kind of pain that has a color, and sometimes, its own dimensons, huge and growing dimensions like a new room opening inside your body, a void unfolding like reverse origami.

I'll give you an example, I say.

Once, I had my wisdom teeth removed, and the doctor didn't use any anethesia. Their was novicaine, but the stab in my gums hurt more than the ensuing numbness numbed anything, and when he cut into me all my bones shifted like fast-motion plate tectonics and I knew that was my body's sign language for pain. It was a pain that made my vision shake, it smelled like walking out into an incredibly white and empty day.

Are you listening? Because I have more. Like this other time, I went to Spain. I mean, I moved to Spain, for no ostensible reason--I slept in a low-ceilinged room on a mattress that was all steel coils and every day, I rode the metro around in circles and waited for rush hour when all the strangers would be packed together into the car and forced to touch me. I spoke the language, but no one spoke to me, and after a while not using my mouth I became convinced that I didn't have one anymore, that I was only transparent skin with nerves pulsing light and a swimming, bloodless brain. I was silent, but that pain had a sound. It seared across my skin and vibrated hard, the way I imagine a bomb has to sound before it turns you into light.

Keep your eyes closed. Not just them, close your skin up too, close your ears and be an echoing chamber, just for a minute, for me. Can you imagine what it is like, for me? Can you imagine the sound, the shake, what it tastes like to lose you?

Tuesday, February 5, 2008

U and Me.

We just can't say it. I'd say that there's a wall between us, but that's not quite it-- its more like an electrified fence, an easy climb, though even the slightest sense of reason or self-preservation would steer you to avoid it. Instead, we lay in the dark and say we love Uganda, and universal healthcare, and ukeleles. I don't say unicorns, because that's a given, and the only things I have left to tell you now are secrets. So I say, I love ubiquity.
Euphoniums.
Yugoslavia. Ukraine. Yucatan Peninsula.
Unicycles.
Unitarians.
Uranium.
Pretty soon, you're cheating. You say you love U locks on bicycles and YouTube and pretty soon, just words that start with U but don't even count (Youuueurope). I have more--I speak four languages, and can love you in just as many--but as soon as I whisper it in the dark, I love unanimous victory, I know that you have conceded. I say Roll over, stop touching you. I am barely lying when I whisper I love euthanasia, ask you to let me sleep.

Saturday, February 2, 2008

Twos.

Lately, it seems like there is no one on the streets alone at night. To be honest, it has me unsettled. Human beings used to come in ones, not in matched sets like place settings or, in dire situations, like pedigreed dogs and their eerily resemblant owners. Now, they come paired, locked together at the palms like Siamese Twins. Everywhere I go now, I see double.

There's a couple that seems to always be buying Vienna sausage at my bodega, and this couple, they have the most beautiful hair. Their faces leave something to be desired--dental hygeine, basic symmetry--but their hair is the kind that I imagine alopecian billionaires vie for. I wonder if it's how they found eachother, as if love were so much more obvious than how I've always pictured it, a constant sonar sent out into a helplessly immense ocean. Now, when I see eight year olds on matched bicycles, and I get immediately jealous. I see coy men in cocktail dresses whispering to eachother in a sunned alleyway, their faces mirrored jacks of hearts, and by then I cannot help it. I want to put on a man's clothes and stand by my favorite lake and sing and sing my favorite songs until you come, perfect you, a delayed echo of my own voice.

Sunday, January 27, 2008

2004.

It was that year that time flew into a 6/8 double jig, ditching the slow waltz of our heart-beat metronome and dragging us limply through this blank, nameless decade.

And who was supposed to prepare us for this? Suddenly, even our fingernails grew at rates we couldn't reconcile with any common biology. The rent was due hour after hour, and the 40 grand and 50,000 pages of our education were swallowed and vanished, in moments too short to be called moments, into the swamp of our gray matter. And who was the universe to demand these things of us? Who, watching us erase whole days in queasy sleep and ignored dreams, would ever think us prepared for it? Who would ever say that by nineteen we were ready to abandon those things that stay lodged at the back of the throat, unchanged and present and entirely immune? Yes, I know there was no holy mandate, but the suggestion is there and its an honest question. Who really thought we could ever leave those reeds and what we found among them, and who affixed the thousand subsequent frames that became this year to the end of the tape, and who thought it would just play on, seamless and consecutive, in rageless silence?

Thursday, January 24, 2008

Reasons I May or May Not Accidentally Be a Racist (Part Two)

2. Fatima.

Pretty much as soon as I pop out of the womb, my mom hires a babysitter. Because I don't remember the womb part, I harbor the secret infant belief that my mother is a slightly emaciated black woman from East Cleveland, and this pale woman who lets me suck milk out of her once in a while is just doing me a favor. Her name is Fatima, and I will remember literally nothing about her except my scalp burning the time she tried to give me cornrows before I had any real ostensible hair, and how goddamn much I scream when she leaves for her night classes at CSU. By the time I get old enough to talk she's not around anymore, but when my sister goes through her Naughty by Nature phase, I can call up half the words to O.P.P. as if from a past life. When I play barbies, Skipper always rides in the trunk of the Malibu Dream Car, and a small legion of Christies take shotgun, their pointed toes signaling north out of the convertible windows.

Reasons I May or May Not Accidentally Be a Racist (Part One)

1. Miriam.

She is my roommate for the three months I live in Spain, and in that time, she manages to fuck more people than I have ever fucked in my entire life. This really is her only dominant characteristic: she has animal tattoos in disturbingly suggestive places, and for Christmas, she gives me a necklace in the shape of the stripper silhouette that truck drivers like to put on their mud flaps. One time, she tells me a story about a guy she met on the beach behind CatWalk: she wasn't sure if she was homeless, but she wanted to fuck him, and, tragedy of all tragedies, she didn't have a condom. Only she doesn't believe me that English word for "condom" is "condom," so she illustrates the concept with an elaborate hand gesture that looks roughly like she's stabbing herself in the vagina with a 2x4--seriously, that wide and perfectly angular.

For the rest of my life, I will be convinced that all Germans are sluts, and that they are all having the weirdest, most impossible sex with their horrible square Lego-people genitalia,
and none of them close the bedroom door when they do it, and their roommates have to hear them screaming their awkward, hairball consants in every inch of their tiny Spanish apartment, all the time.

Wednesday, January 23, 2008

Tongue.

It wasn't so much that he wouldn't eat it--this beautiful dinner, everything braised and skewered and punctuated with unnecessary herbs, the kind of dinner you feel guilty just being in the same room with, much less stabbing open with Bill's filigree-handled cutlery. (And really, who filigrees cutlery?) It was that he watched them eat it. (If filigreed cutlery didn't make you nervous before, you were gravely deluded). It was that he placed himself in a crushed velvet arm chair in the corner of the room, and wove his fingers into a tight knot, and grinned at them, for the whole two hours, demanding their critique.

"Do you think it was, like, a sex thing?" Joe asked her in the car.

And of course she said that it was, and they speculated about the contents of that guest bedroom he wouldn't let Joe's aunt stay in when the Marriott ran out of room for the wedding guests. And he thought how good they were together, how they were the kind of couple who waiters smirked at because their conversations were the kind you'd like to eavesdrop on. He even leaned across the center console and stuck his tongue into her ear, in a gesture of thanks.

All the while she knows: if he'd been able to probe further, past the shell of her skull, to taste the thought that was blooming just then, an inch deeper in her brain, he would understand Bill. That night, her dreams would be all taste: a spike of sangiovese as sudden and red as a wound, the absent pearl at the base of an oyster's small corpse.

Tuesday, January 22, 2008

John, Paul, Dick, Jane.

They were going to just do it–city hall on a Tuesday morning, quick, shotgun wedding style, only without the sheriff or those terrible hats–but then they started talking about what they'd actually name the thing. His only ideas were things like Huckleberry and Valentine, and for a terrifying flash of a moment, she realized that everything would be this way. He would paint their house neon just to be that house. He would buy a classic car, and every time a cupholder broke or the fender got bent they would have to send seven grand to some special guy in Idaho who only did business on Ebay. He would be the kind of parent whose kids would rather he had been their uncle, the kind of parent who had kids just to give them names– like buying a tank of hermit crabs.

And really, she was like that too. And as much she wanted to dress it up in bowties and hilariously tiny suits, she couldn't help but think that nothing, not even the best two dates she'd ever had, nothing could justify forcing another human being to go through life with a mother like her and a name like Mercutio.

They would wait a week. She would talk him down to Naomi, maybe a nice Solomon or Lane.

Bounty.

Every goddamned christmas, my mother goes to Costco, buys a month worth of groceries, and wraps them up and puts them under the tree. When you're eight, it's kinda funny. When you're fifteen, you don't want to tear into a box expecting an laptop and find an entire frozen turkey, leaking juice out of its frozen turkey ass.

I know its supposed to be significant because my mom gets all misty, and I fake it, and hug her, and tell her that I love my 50 oz jar of raspberry preserves, really. But she's been doing it for so long, ever since the year that Dad got laid off and they had to pawn off all the kitchen appliances to pay my brother's tuition. Yes: I remember sitting in that yawning space where the oven used to be, playing with those dead wires coursing out of the wall, limp and yellow, and that was kind of sad, I guess. But I was six, and I was into the Brave Little Toaster. I thought coffee machines had significant inner feelings.

Now, I don't anymore. Now, Dad works for Google. Now, I don't want a brick of Guyere in a bag shaped like Santa Claus' face, and I don't want Mom to make us eat it all on the living room carpet like we're hobos who've never seen an industrial-sized tank of cheese puffs in their entire lives, and I don't want her to videotape it, sobbing.